Outside New York
Study with the WYL faculty from elsewhere in the United States or abroad without turning the experience into a generic online-tutor marketplace.
One-to-one online lessons with the musicians and educators of WillYouLearn, a New York City music school built around listening, musicianship and the relationship between teacher and student.
Piano, guitar, voice, drums, bass and more, for children, adults and experienced musicians across the United States and around the world.
WillYouLearn was built in New York because New York is one of the places musicians come to learn from other musicians.
Some of that education happens in schools. A great deal of it does not.
It happens on bandstands and in rehearsal rooms. It happens in recording sessions, after gigs, sitting in, accompanying singers and playing with musicians who know things you do not know yet.
It happens when one musician shows another a tune, a voicing, a rhythm or a way through a phrase. You hear it. You try it. Someone shows you again. You listen differently the next time.
That combination of listening, imitation, mentorship and exchange shaped our teachers. It also shaped the way WillYouLearn teaches.
Every teacher on our faculty began with us in New York City. Some still live and work here. Others have carried that experience elsewhere.
We do not believe technique is something a student has to master before they are allowed to make music.
Technique grows from music.A student learns control because they are trying to shape a phrase. They develop coordination because a piece asks something new of them. They learn harmony because they can hear relationships they want to understand.
Reading, theory and craft become tools for making sense of music that is already alive in the ear.
Music begins with sound: pulse, phrase, melody, harmony, imitation. Reading, theory, technique and craft matter enormously, but they make the most sense when they grow out of something the student can already hear and understand.
This is not a shortcut around serious study. It is what makes serious study meaningful.
Hear pulse, phrase, melody, harmony and the relationships that give music its shape.
Hear something, try it, repeat it and begin to recognize how musical language works.
Reading, theory and technique give names and tools to things the student is already beginning to hear.
Play, understand, improvise, create and participate in music with increasing independence.
Some of our students will become professional musicians. Most will not.
They may become lawyers, doctors, teachers, scientists, designers, parents or anything else. What matters to us is not where music sits on their résumé. It is whether curiosity about it stays alive.
A voicing you have never heard. A rhythm that suddenly makes sense. A phrase you want to steal. A song you have known for twenty years that opens up differently because someone showed you what was happening inside it.
That instinct can last forever: hearing something you do not quite understand and wanting to get closer to it.
That is one of the things we are trying to spark in a lesson. Not simply the ability to complete what a teacher assigns, but enough fascination that the student begins asking the questions.
The goal is not lifelong dependence on lessons.
It is a lifelong appetite for music.
Our teachers are professional performers, composers, recording artists and educators.
Their own musical lives matter because they are passing on something they practice themselves.
Credentials matter, but they are only the beginning. Good teaching means understanding the person in front of you: what they hear, what excites them, where they get stuck and what might make them lean closer.
Online lessons let geography stop being the first question.
Study with the WYL faculty from elsewhere in the United States or abroad without turning the experience into a generic online-tutor marketplace.
Keep working with a teacher you know through a move, college, travel or a changing schedule.
Work with the musician who actually fits what you want to learn rather than simply choosing whoever happens to live nearby.
Jazz, harmony, improvisation, songwriting, composition, classical repertoire, technique or the particular thing you want to understand more deeply.
A few details about the student, instrument, location and schedule are enough to get started. We’ll use them to figure out who on our faculty might be the right fit.
We start with the actual student: experience, instrument, schedule, personality and what they want from music.
We look at the faculty and current availability, then figure out which teacher and lesson format make the most sense.
You’ll hear from us with our recommendation, availability and exact tuition. Nothing moves forward until you decide it makes sense.
Online lessons are generally offered at a modest discount from our in-home rates.
Exact pricing depends on the teacher, lesson length and schedule. We’ll give you the exact rate before you commit to anything.
If a weekly live lesson is more than you need, metempo lets you work one-to-one with a teacher by video message instead.
Send what you are working on, get a personal response, practice and send another.
Tell us about the student, what they want to learn, where they are and when they’re available. We’ll take it from there.
Apply for lessons →No commitment to apply. We’ll follow up with availability, exact tuition and our recommendation.